Often acclaimed as the most beautiful woman in the world, Rai made her movie debut in Mani Ratnam’s Tamil film Iruvar (1997) opposite Mohanlal. She had her first commercial success in the Tamil movie Jeans (1998), and came to the attention of Bollywood in the Hindi movie Hum Dil De Chuke Sanam (1999), directed by Sanjay Leela Bhansali. Her performance in the film won her the Filmfare Best Actress Award, and she successfully performed in Bhansali’s next project, Devdas (2002), for which she won her second Best Actress Award at the Filmfare. Since then, she has acted in over forty movies in Hindi, Tamil, Bengali, and English, including the international productions Bride & Prejudice (2003), Mistress of Spices (2005), and The Last Legion (2007) in English.

Now, she was known as Aishwarya Rai Bachchan, Aishwarya Bachchan, Aiswarya Abhishek Bachchan.

“1,2,3… Say Cheese!” One of the most common things we hear as we pose to have our photos taken. Needless to say, that every person makes sure that they have cameras with them on the most important events of their lives. Even as simple as your babies taking their first steps, you want to have it documented and captured. It does not only serve as an evidence but it is needed as every picture can represent achievements, happiness and most of all it makes memories more alive.

Traditions to weddings and Importance

Just as it is important to simple events, it is even more important to big occasions like the celebration of marriage. Yes, almost in every wedding celebration you will definitely be seeing bright lights flashing in all places where the couple is. It is already a tradition to have pre-wedding, during and post-wedding pictorials. Pre-wedding photos are usually done days before in places that can great sceneries. It can also cover photos, hours before the wedding as the bride undergoes a makeover and the as the groom gets ready on his own. Photos taken during and post-wedding are done on the same day. It is done spontaneously including the guests while making the bride and the groom the star in every photo.

Wedding photography is always in this celebration. Some may hire a professional to do it while others settle to have one of their family members to do it on their own. Remember, time has evolved and technology has brought many changes. Manual cameras are out and digital cameras are in. Most of the professional photographers have the best cameras to allow you to have the greatest photos in all lighting conditions and they have great eye to take the best angles and focus of their subject. Any person will definitely be happy if they see a photo of themselves capturing their best forms. You can have this with the aid of these professionals. However, if one of your family members has talents in using digital camera, why not right? It will be an added bonus on your part because you can surely save money from it.

If you ask, why do you need them? The answer is very simple. Ten, twenty or even 50 years from now if you are still alive, you will remember your wedding day. When this happens, you would want to look back at your precious memories and looking at the photos will make it more alive. Moreover, as you impart stories to your kids, you will be able to show them how wonderful your wedding was. The photos themselves are symbolic as they represent how a wonderful marriage life started with a simple love for each other.

Wedding photography is one service that makes a simple photo look wonderful. Any couple will highly appreciate how photos are tweaked to make it more appealing to the eye. With the right tools and equipment, you will surely enjoy your wedding photos and without a doubt, you will be happier to display them on your rooms and your homes.

Summary You can memories more alive in your wedding with the photographs. You should consider this one service on your wedding. It is one thing that you should make sure that you have on the wedding day.

About the Author
Find out more about wedding photography phoenix at http://www.memoriesputtomusic.com/wedding_photography/index.html

Realizing the need to offer sequences of exposures, camera makers begin to experiment with various roll-film designs. With a roll of film in the camera, the photographer could fire off numerous images without reloading. Although this improved throughput dramatically, it caused another problem. The roll of film had to pass closely behind the camera’s optics, which meant that the photographer could no longer look through the camera lens to compose and focus.

Rangefinder cameras appear to keep things in focus

The lower-end, consumer roll-film cameras generally used an inexpensive “fixed-focus” lens, so a simple viewfinder was sufficient. Better quality optics, however, require the lens to be focused, and since the photographer could not look through the lens with a roll-film camera, this was a major problem. One of the first solutions to this problem was the Rangefinder — a type of camera that offered a distance measuring scale in the viewfinder. By determining the range from the viewfinder, the photographer could then adjust the focus to match — usually with very good results.

Twin Lens Reflex cameras offer another solution

While the rangefinder type cameras worked well, the camera industry is always evolving. A second method of allowing the photographer to focus and compose appeared in the “Twin-Lens Reflex” cameras. These cameras used two identical lenses, arranged one on top of the other in the manner of an over-and-under shotgun. The film winds past the lower lens, while the photographer can focus through the upper lens. The twin-lens cameras were fairly bulky, so designers added a mirror and ground glass to the top of the camera, hence the term “reflex.

Now the user could hold the camera at waist level and look down at the ground glass which previewed the image via the mirror located behind the upper lens. As the user adjusted the focus on the upper lens, a gear mechanism moved the lower “taking lens” to match.

While both rangefinders and twin-lens reflex cameras offered a credible way to focus and preview a shot, neither allowed the photographer to actually look through the actual lens. This sometimes made exact composition difficult.

SLRs take cameras another step forward

In their quest to allow users to see through the actual “taking” lens, camera makers turned to the periscope — a simple device using two mirrors placed at opposite angles to bend the light path. Periscopes are easy to understand — any kid can construct one from a couple of mirrors and some scrap wood.

In a camera, the lower mirror is placed at a 45 degree angle directly behind the lens. Light striking the mirror is projected upwards to a ground glass. While a second mirror would show the image on the ground glass to the user, it would not appear right, because mirrors tend to reverse things. So camera designers added a prism arrangement that corrects the reversed image. When you peer through the viewfinder on a SLR, you look through a prism, which displays the image on a ground glass, which displays the projected image from the mirror located behind the lens.

There is just one problem. If you have been paying attention, you have no-doubt realized that the lower mirror blocks the light path to the film (or digital sensor as the case may be.) Now the photographer can look though the lens, but the image cannot be projected on to the filmplane.

So the camera designers had to add another wrinkle. They had to move that mirror. Just long enough to make an exposure, since when the mirror moved, the photographer could no longer see anything through the lens. So they designed the “instant-return” mirror. At the instant of exposure, the mirror flies upward, the shutter fires and the mirror snaps back down. It is a incredible feat, when you consider that instant return mirrors have to flip up and back in a heartbeat, over and over for the life of the camera.

Once the instant return mirror was perfected, photographers could once again design their images by looking through the lens. Unlike the twin lens reflex, this new breed of camera needed only one lens to focus and shoot with. So they became known as… you guessed it…Single-Lens Reflex cameras.

About the Author
This article originally appeared in Alphatracks; the weblog for Sony and Minolta SLR enthusiasts. Visit the site for more articles by Tom Bonner. Tom Bonner is the author of the Sony Alpha DSLR-A300/A350 Digital Field Guide, published by Wiley Publishing. A photographer for more than three decades, he offers photography and web design services to clients in the Charlotte.

If you wish to retouch your image Elements has a huge variety of brush sizes available in Photoshop. Images can be altered by painting with the brushes over the area you want to change. Red eye can be removed in less than two minutes. If you have photos that have poor quality there is a sharp tool to sharpen certain areas of an image. You can even remove unwanted background items from an image.

You have the ability to save your images in any one of 15 types of file formats, giving you the possibility of creating images for a variety of different projects. This includes images for the web, for slideshows, and for many different forms of printing.

Elements can also create images specifically for the web. Preparing your images for your website is simple and easy with Photoshop Elements. It also helps you to resize and compress images that are being attached to an e-mail.

Creating a web gallery can be a lot of work but using Photoshop you can open a group of images, resize them, create a thumbnail gallery and create all the navigation HTML buttons for your site. It also creates a folder for your web files and saves it on your computer.

Photoshop Elements also contains a slide show, which is a very easy way of showcasing your images. Slideshow presentations are saved in PDF format making them easy to e-mail or download. To view a slideshow you will need Adobe Acrobat Reader installed on your computer.

Also included is a video frame capture tool. This feature allows you to capture any frame from a video and save it as a stand-alone image. Images created using frame capture can be edited the same as any standard image.

If you need to work on the color in your image Photoshop has a wide range of tools that will help. You can also turn your color images into black and white shots in less than five minutes. You can also work with filters to images to warm colors up or create different tones.

The most important feature of Photoshop is the Toolbox. The Toolbox contains all the editing tools that you need in order to burn, dodge, clone, blur, sharpen or smudge an image. This box also contains handy tools to crop and zoom in on an image.

There are many artists worldwide who make a living by retouching images with advanced image software. Learning how to use Photoshop correctly will be a massive help to your digital photography, and if you are a keen photographer it should become part of your digital darkroom.

About the Author
Did you like this article? Curious about learning photoshop elements fast? Well now you can by getting this free report…what are you waiting for?

A lot of new photographers are having a hard time with night photography. One of the problems that you run across, is that a lot of digital cameras just flat out do not perform well under low light. I know a few things that can help with this, one is that when you are taking night time photos you will want to use long exposure. What long exposure will do is let more light in and by doing so it allows for the details of your subject to be captured. Another thing that you will notice in night photography is if you are shaking, if you are shaking just slightly it will show more than if you were taking a day photo.

So if this is a problem for you use a tripod and if you don’t have one you will need to rest on something ,perhaps on a friends shoulder. A fun thing that you can do when using long exposure is you can shoot moving lights and get the trails effect, such as lights on a car that is moving on down the road. These pictures always look pretty cool. When you are using long exposure be sure to take advantage of the fact that you are not limited to still photography, you have creative options when it comes to night photography.

About the Author
I combined my love for photography and internet marketing into one and became a photography marketer. Now I go day by day but I’m living and loving everyone. Bobby d is a freelance photographer, photography student, photography marketer, internet entrepreneur ,and owner operator of shutterbugphotobiz.com free report ,free digital camera

Nikon D3x features overview

• Extreme resolution 24.5-megapixel FX-format (35.9 x 24.0mm) CMOS sensor
  Large 5.94µm pixels capture astonishing detail and subtleties with outstanding dynamic range for demanding commercial applications.
• Nikon EXPEED image processing technologies
  EXPEED extends and assures breathtakingly rich image fidelity and reduces noise, even at high ISOs.
• 138 MB Processed NEF (RAW) 12 or 14 bit image files
  Selectable bit depths of 12-bit (4,096 tones) or 14-bit (16,384 tones), both yielding incredible image quality through a 16-bit processing pipeline, for smoother tonal gradations.
• Low noise ISO sensitivity from 100 to 1600
  Added ISO settings of Lo-1 ISO 50, Hi-1 ISO 3200 and Hi-2 ISO 6400 extend versatility.
• Two Live View shooting modes
  Two Live View modes add flexibility, and up to 27x magnification in the Tripod Mode, acute focusing accuracy is easily confirmed.
• Continuous shooting at up to 5 fps at full FX-format resolution
  Commercial image quality teams with speed and handling to create new shooting possibilities—in the studio or on location.
• Fast, accurate 51-point AF system
  AF system features 4 Dynamic AF modes, including 3D Focus Tracking, for autofocus precision and razor sharpness.
• 1,005-Pixel 3D Color Matrix Metering II with Scene Recognition System
  Two Nikon-exclusive technologies provide intelligent auto exposure capabilities, along with refined auto white balance detection and faster, more accurate AF performance.
• 3-inch super-density 920,000-dot VGA LCD monitor
  Individual factory calibration assures the color accuracy of each D3X monitor for critical image review.
• 100% viewfinder coverage
• Nikon Picture Control
  Four preset options: Standard, Neutral, Vivid and Monochrome, and 9 customizable settings provide advanced, personalized color control.
• Rugged, durable and precise magnesium-alloy construction
  Effectively protected from invasive dust, moisture and electromagnetic interference with a self-diagnostic shutter mechanism tested to 300,000 cycles.
• Dual CF card slots with overflow, backup and copy options
• Virtual Horizon Graphic Indicator
• Up to 4,400 images per battery charge

(source: nikonusa.com)

Like a brush stroking color across a blank white canvas, the E-30 delivers instant artistic gratification. Its ease of use and power to transform the everyday into something artistic will appeal to painters, graphic designers, illustrators and Web designers, those with an eye for fashion and artists from all walks of life, not just photographers. New Art Filters and Multiple Exposure change how we create images, unleashing a digital imaging experience unlike any other that produces striking works of art inside the camera without the need for costly computer image editing software.

E-30 Rounds Out Robust E-System DSLR Lineup
The E-30 fits in the spectrum of the E-System lineup above the E-520 as a mid-range advanced DSLR, while the E-3 remains at the top as the flagship Olympus DSLR. Beyond the new Art Filters and Multiple Exposure function, the E-30 delivers the same high-precision performance and imaging quality demanded by professional photographers who use the E-3, as well as the consumer-friendly features found on the E-520, and several new surprises all its own.

As with all Olympus DSLRs, the new camera provides advanced Dust Reduction and in-body mechanical Image Stabilization so that every Four Thirds lens is stabilized. The new camera also offers TruePic III+ Image Processor and Full Time Autofocus Live View. These features are coupled with a new 12.3-megapixel high-speed Live MOS image sensor to capture breathtaking images.

Adding to the line of Four Thirds-compliant lenses, the ZUIKO DIGITAL 14-54mm f2.8-3.5 II is also being announced today. It boasts high-speed Imager AF support  for Live View shooting and a circular aperture mechanism for higher imaging performance. A versatile 28-108mm equivalent zoom range makes the new lens an ideal choice in a wide range of shooting situations, enabling users to enjoy the exaggerated perspective of wide angle shooting while providing telephoto power to zoom in for close-ups.

We Are the Visual Generation
The visual tastes of people of all ages are growing more refined as a result of art cinema and movies, music videos,  television, video games, magazines, the Internet and online videos created in a wide array of visual styles. More distinct and artistic visuals are appearing everywhere, and the bar for creative images has been raised higher.

“The E-30 is the camera for people who are not content to simply capture and document a scene, but rather enjoy enhancing or customizing an image to make it their own,” said John Knaur, senior marketing manager, Digital SLR, Olympus Imaging America Inc. “The camera’s Art Filters and Multiple Exposure capabilities enable incredible individual artistic control over an image within the camera, in many cases eliminating the need for time spent applying image effects in the computer. Additionally, it delivers the same proven image quality of our E-System DSLR line.”

Art Filters Make Your Vision Come to Life
New to the E-30 is technology that conveniently helps photographers transform a basic image that faithfully represents the scene into an image that carries emotional impact. Olympus recognizes that some of the most iconic images ever captured were intentionally altered through exposures to render contrast beyond normal levels, or are alive with saturated colors or the gritty graininess of film. All have wonderful artistic merit.

The new Art Filters take this capability to a higher level, replicating these dramatic effects as you shoot using the Autofocus Live View LCD:

• Pop Art: Enhances colors, making them more saturated and vivid, creating high-impact pictures that express the joyful, lighthearted feeling of the Pop Art style of the 1960s.
• Soft Focus: Creates an ethereal, otherworldly atmosphere that renders subjects in a heavenly light without obscuring details.
• Pale & Light Color: Encloses the foreground of an image in flat gentle light and pastel colors reminiscent of a flashback scene in a movie.
• Light Tone: Renders shade and highlight areas softly to lend an elegant air to the subject.
• Grainy Film: Evokes the feeling of documentary footage shot in monochrome with grainy, high-contrast film.
• Pin Hole: Reduces the peripheral brightness of an image as though it were shot through a pin hole, connecting the viewer intimately with the subject at the center of the picture.

Art Filters are easily activated via the mode dial on the left side of the camera body, and the effects are viewable right on the new camera’s 100 percent accurate swivel 2.7-inch Live View HyperCrystal™ LCD when using the E-30 in Live View mode or when reviewing the captured image.

Multiple Exposures Create Something Greater Than the Sum of Its Parts
With the new camera’s Multiple Exposure function it is possible to alter space and time by combining images shot in different locations and moments, lending your photos another dramatic dimension. For instance, take one shot of the full moon with the E-30 and the image will appear on the camera’s LCD. Then take another shot while the moon still appears on the LCD and superimpose a close-up of an owl perched on a tree branch. The two images will merge together seamlessly to form one dramatic image that has the haunting effect of a Halloween night.

Or take a self-portrait posing far away from the camera, and then another close-up shot to capture you and your “identical twin” both in sharp focus. Wedding photographers can capture an image of newlyweds posing together and then overlay a portrait of the blushing bride and a shot of the sunset to create a lasting wedding memory. The creative possibilities are endless and only limited by your imagination. The E-30 can combine up to four images in a single photograph, overlaying various subjects to create a montage that blends all the elements together. Thanks to the new TruePic III+ Image Processor you are able to accurately compose, capture and combine your images on the fly directly on the camera’s LCD.

Digital Leveler
The E-30 is equipped with an internal Digital Level Sensor that detects the camera’s pitch and roll and indicates it in the optical viewfinder, on the control panel and during Live View operation. This Digital Leveler is a tremendous benefit for architectural photographers who must ensure that images they take of buildings are as centered and true as the walls of the buildings themselves. Rather than spend time rotating an image in computer software, you can use the new camera’s Digital Leveler to make sure your subjects are where they should be in the frame.

Superior Image Quality
The new camera’s high-performance 12.3-megapixel Live MOS image sensor delivers excellent dynamic range, accurate color fidelity and a state-of-the-art amplifier circuit to eradicate noise and capture fine image details in both highlight and shadow areas.

Its Live MOS image sensor is complemented by Olympus’ TruePic III+ Image Processor that produces crystal-clear photos using all the pixel information for each image to provide the best digital images possible with accurate natural color, true-to-life flesh tones, brilliant blue skies and precise tonal expression in between. TruePic III+ also lowers image noise in images shot at higher ISO settings, enabling great results in low-light situations.

Two Fast Autofocus Systems
The E-30 offers two systems to quickly focus and capture the image. They include:

• Fast Autofocus with AF Live View – When it comes to measuring camera speed, autofocus is a key factor. If a camera’s AF system does not meet photographers’ demands and lock focus accurately and quickly, they will miss shots regardless of the camera’s shot-to-shot speed or start-up time. Thanks to the new 14-54mm II lens with high-speed Imager AF, shooting with Live View is faster than ever – a key element in utilizing the new camera’s art filters. AF accuracy is further ensured by precise 11 point imager AF with the 12.3 megapixel Live MOS sensor; and
• Phase Detection AF – This 11 point twin cross sensor provides world-class fast and accurate focusing. The E-30 takes advantage of the SWD lens speed. The alignment of the optical axis from the lens to the AF phase detection sensors combined with accurate mounting of the sensors within the AF unit delivers accurate and fast focusing.

Swivel Live View LCD: Freedom to Move You
Unlike others with fixed LCDs, the new camera’s 100 percent accurate 270 degree swivel 2.7-inch Live View HyperCrystal™ LCD can be rotated freely so photographers can compose at tough angles, including overhead and down low, without feeling like a contortionist. Because Live View enables an E-30 photographer to communicate face-to-face with subjects and still have everything in the frame with the camera body out of the way, an encouraging smile or wink of the eye can be used with a shy or nervous subject to get the desired results.

During composition, settings like white balance and exposure can be selected, and their impact is seen instantly on the LCD, thanks to Live View. Real-time monitoring offers amazing versatility and creative control. The LCD displays 230,000 pixels in vivid color and includes HyperCrystal technology, which offers many times the contrast of conventional LCD monitors for easier viewing in both preview and playback. It also provides a wide viewing angle of 176 degrees, which ensures images can be composed from even the most obscure angles. The 2.7-inch LCD makes viewing icons and text on the camera’s menu a squint-free process.

Multi-Aspect Ratio Shooting
Since photography is a form of expression that is essentially based on clipping a scene, framing is an important component of style. The E-30 provides nine aspect ratios including the standard 4:3, as well as 16:9 for impressive, cinematic-style images, and 6:6, which is available with medium format cameras, plus 3:2, 5:4, 7:6, 6:5, 7:5 and 3:4. By selecting the aspect ratio before shooting and easily reviewing images on the LCD throughout the shoot, the Multi-Aspect function adds a new means of expression to your photography.

As with all Olympus E-System DSLRs, the E-30 offers the following features:

• Face Detection recognizes up to eight faces;
• Shadow Adjustment Technology controls highlights and shadow exposure automatically;
• Perfect Shot Preview shows how various settings will enhance the image before actually capturing it;
• Wireless Flash System provides control for multiple wireless flashes (FL50R or FL36R) without needing an external commander unit;
• Large Optical Viewfinder offers 98 percent field of view and 1.02 x magnification; and
• Proven Dust Reduction with SSWF (Super-Sonic Wave Filter) system cleans the tiniest particles of dust and dirt for spot-free images.

Availability
The Olympus E-30 DSLR will be available in January 2009. It includes E-30 Body, USB Cable, Video Cable, Li-Ion Battery Pack (BLM-1), Li-Ion Battery Charger (BCM-2), Shoulder Strap, OLYMPUS Master 2 Software CD-ROM, Manuals and Registration card. The ZUIKO DIGITAL 14-54mm f2.8-3.5 II lens will also be available in January 2009.

U.S. Pricing / Product Configurations
E-30 Body Estimated Street Price: $1,299

ZUIKO DIGITAL 14-54mm f2.8-3.5 II lens Estimated Street Price: $599
(source: Olympus press release)

Please come and visit our Asian photos collection!

The leaves are alternate and pinnately compound, with sharply toothed oval-shaped leaflets. The plants fleshy edible fruit is called a rose hip. Rose plants range in size from tiny, miniature roses, to climbers that can reach 20 metres in height. Species from different parts of the world easily hybridize, which has given rise to the many types of garden roses.

The name originates from Latin rosa, borrowed from Oscan from colonial Greek in southern Italy: rhodon (Aeolic form: wrodon), from Aramaic wurrd?, from Assyrian wurtinnu, from Old Iranian *warda (cf. Armenian vard, Avestan warda, Sogdian ward, Parthian wâr).

Attar of rose is the steam-extracted essential oil from rose flowers that has been used in perfumes for centuries. Rose water, made from the rose oil, is widely used in Asian and Middle Eastern cuisine. Rose hips are occasionally made into jam, jelly, and marmalade, or are brewed for tea, primarily for their high Vitamin C content. They are also pressed and filtered to make rose hip syrup. Rose hips are also used to produce Rose hip seed oil, which is used in skin products and some makeup products.

Plumeria flowers are most fragrant at night in order to lure sphinx moths to pollinate them. The flowers have no nectar, and simply dupe their pollinators. The moths inadvertently pollinate them by transferring pollen from flower to flower in their fruitless search for nectar.

“Plumeria” species are easily propagated by taking a cutting of leafless stem tips in Spring and allowing them to dry at the base before inserting them into soil. They are also propagated via tissue culture both from cuttings of freshly elongated stems and aseptically germinated seed. (source: wikipedia.org)